* Co-production with BADco.
Do only those who stop feeling the rhythm of a crime get hurt? Why did his hands shake as he opened the newspaper? Was the acceleration of the rhythm the only way out?
The production, taking its lead from Pavao Pavličić's The Good Spirit of Zagreb, only 40 years later, is directed by Goran Sergei Pristaš and based on the text by Goran Ferčec. The performance is choreographed by Nikolina Pristaš, dramaturgy is done by Ivana Ivković, Tomislav Medak and Diana Meheik, the author of images and stage design is Marko Tadić, costume designer is Silvio Vujičić, authors of music and sound are Radu Malfatti, Alen Sinkauz and Nenad Sinkauz, whereas Ivan Bošnjak performs the music on trombone. The production is staged at the CNT sound studio, the venue located on the balcony level looking onto Marshal Tito Square. During the performance the venue turns into an observatory for rhythmanalysis, as proposed by the French philosopher Henri Lefebvre in his work Rhythmanalysis: Space, Time and Everyday Life, where he describes a view through a window as a simultaneous position in the interior and the exterior; a place from which it is possible to reflect biological, psychological and social rhythms, with the body as the point of contact.
The production builds new worlds; it reconstructs existing ones and creates new dimensions— Vijenac
This BadCo. production directed by Goran Sergej Pristaš has proved to be yet another memorable show.— 24express
To attempt to give an account of this production or retell Ferčec's text would be almost a crime against this nuanced and remarkable production, which follows its own rhythm, allowing every observer to engage in their own way.— Kritikaz
