HNK - Eight Hours Don’t Make a Day

Rainer Werner Fassbinder Eight Hours Don’t Make a Day

Eight Hours Don’t Make a Day
Photo credit: Nada Žgank

Creatives

Director

Sebastijan Horvat

Dramaturge and Adaptation

Milan Ramšak Marković

Set and Video Design

Igor Vasiljev

Costume Designer

Belinda Radulović

Music

Drago Ivanuša

Lighting Designer

Aleksandar Čavlek

Make-up Designer

Matej Pajntar

Language Consultant

Mateja Dermelj

Assistant Director

Maruša Sirc

Assistant Dramaturge

Brina Jenček

Ensemble of the performance

Jochen

Blaž Setnikar

Marion

Suzana Krevh

Franc, Park keeper

Matej Recer

Kretzschmer, Gregor

Borut Veselko

Manfred, Priest, Dr Bertram

Aljoša Ternovšek

Rüdiger, Harald

Stane Tomazin

Zoran, Classifieds Man

Bojan Navojec

Peter, Marion’s Boyfriend

Blaž Šef

Jürgen, Manni

Vito Weis

Plant Manager; Wolf

Dario Varga

Luise

Vesna Pernarčič

Monika

Tesa Litvan

Käthe Kretzschmer

Ramana Šalehar

Irmgard

Živa Selan

Stage Managers

Stage Managers

Dominik Vodopivec (PGK), Liam Hlede, Urša Červ (SMG)

Premiere

19.02.2027

Co-Production of the Prešeren Theatre Kranj, the Mladinsko Theatre, the Ptuj City Theatre, and the Croatian National Theatre in Zagreb

The performance Eight Hours Don’t Make a Day is based on the eponymous television series Acht Stunden sind kein Tag, created in the 1970s from a screenplay by Rainer Werner Fassbinder. The series follows the everyday life of a working-class family, whose  private relationships are inseparably intertwined with labour in a factory producing machine parts. At its centre stands the love story between Jochen, a factory worker, and Marion, an employee in the newspaper classifieds department, alongside a series of situations generated by the rhythms and tensions of industrial production.

In Fassbinder’s work, people are capable of transforming the world around them through solidarity, directness and an uncompromising confrontation with reality. Their struggle is not heroic, nor is it an all-or-nothing battle in which life is sacrificed for convictions. Change becomes possible precisely through everyday persistence, courage and the refusal to submit to rigid institutions or inherited social habits.

The performance is divided into two parts. The first unfolds within the realistic and familiar space of the family home, while the second shifts to the factory floor, opening up questions of labour, exploitation and collective responsibility, where private intimacy inevitably collides with production.


Premiere at Prešeren Theatre Kranj: 12 September 2026

Premiere at the Mladinsko Theatre (Ljubljana): 18 September 2026

Premiere at the Ptuj City Theatre: 3 February 2027

Premiere at the Croatian National Theatre in Zagreb: 19 February 2027, HNK2

Koprodukcija Prešernova gledališča Kranj, Slovenskoga mladinskog gledališča, Mestnoga gledališča Ptuj i Hrvatskoga narodnog kazališta u Zagrebu

Prešernovo gledališče Kranj
Slovensko mladinsko gledališče
Mestno gledališče Ptuj

Drama