Gioachino Rossini The Lady of the Lake

The Lady of the Lake

Kreativni tim

Dirigent

George Petrou

Redatelj

Max Emanuel Cenčić

Scenograf i kostimograf

Bruno de Lavenère

Oblikovatelj svjetla

David Debrinay

Video

Étienne Guiol

Asistent dirigenta

Darijan Ivezić

Asistentica redatelja

Constantina Psoma

Asistentica kostimografa

Mirna Mihoković

Asistentica kostimografa – volonter

Ana Mikulić

Asistent oblikovatelja svjetla

Nicolas Galland

Asistent za video

Anouar Brissel

Zborovođa

Prijevod libreta

Maja Winkler

Ansambl predstave

ELENA

Nian Wang

MALCOLM

Max Emanuel Cenčić/Martina Menegoni (studijska uloga)

GIACOMO V (Uberto)

György Hanczár

RODRIGO

Antonio Garés

DUGLAS D'ANGUS

Neven Paleček / Dalibor Hanzalek

ALBINA

Iva Krušić / Sonja Runje

SERANO

Ivo Gamulin / Božimir Lovrić

BERTRAM

Nikša Radovanović

ORKESTAR I ZBOR OPERE HRVATSKOGA NARODNOG KAZALIŠTA U ZAGREBU

Inspicijentice

Aleksandra Ćorluka, Zrinka Petrušanec

Šaptačica

Marija Dražančić

Koncertne majstorice

Vlatka Peljhan, Mojca Ramušćak

Umjetnički voditelj opernog studija

Darijan Ivezić

Korepetitori

Vjekoslav Babić, Helena Borović, Nina Cossetto i Silvana Čuljak

*C o-produced with the Opéra de Lausanne

Directed by Max Emanuel Cenčić

Two hundred years after its world premiere on 24 September 1819 at Naples, the opera ensemble of the Croatian National Theatre in Zagreb is producing Gioachino Rossini’s The Lady of the Lake, composed for the libretto of Andrea Leone Tottola, for the first time. This three-act opera achieved enviable success at its premiere but over the next hundred years it became completely forgotten. In the shadow of the fight by the rebels against the Scottish crown, three men are in love with Elena, the daughter of the king’s main rival: the warrior Rodrigo, Malcolm, a brave supporter of the rebellion, and King Giacomo V disguised as Uberto. After his military and political triumph, the king offers the hand of his daughter Elena to the man she does not love.

Famous Croatian counter tenor Max Emanuel Cenčić is staging Rossini’s opera in Zagreb in a co-production with the Opéra de Lausanne and taking one of the leading roles – that of Malcolm. The part was originally written for a mezzosoprano and this is the first time that a man is performing in this role.

Psihoanaliza, humor, romantika i erotika…Inteligentna, do minucioznih detalja višeslojno razrađena cjelina s predivnim finalom. Sjajna predstava koju ne smijete propustiti!— Večernji list
Max Emanuel Cenčić jest, prije svega, savršeni vokalni umjetnik koji baš nikoga ne ostavlja ravnodušnim. I svi drugi izvrsni mladi pjevači oduševljavali su bravurama i blistavim visinama. I orkestar HNK pokazao je zavidne mogućnosti, trasparentno i tehnički izbrušeno pod ravnanjem George Petroua.— Jutarnji list

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