HNK - TANNHÄUSER

Richard Wagner TANNHÄUSER 200 min

TANNHÄUSER

Creatives

Conductors

Srba Dinić, Ivan Josip Skender

Stage Director

Frank Van Laecke

Set and Costume Designer

Philippe Miesch

Choreographer

Daan Wijnands

Lighting Designers

Marc Heinz, Frank Van Laecke

Assistant Conductor

Barbara Kajin

Assistant Stage Director

Marta Tutiš

Assistant Costume Designer

Ana Trišler

Choirmaster

Luka Vukšić

Libretto Translation

Maja Oršić Magdić

Ensemble of the performance

Tannhäuser

Eric Laporte, Bryan Register

Elisabeth

Valentina Fijačko Kobić, Evelin Novak, Maja Sremec (studijski)

Wolfram von Eschenbach

Jaka Mihelač, Ljubomir Puškarić, Jurica Jurasić Kapun (studijski)

Hermann

Sorin Coliban, Sava Vemić

Venus

Sofija Petrović, Dubravka Šeparović Mušović, Gabriela Georgieva

Walther von der Vogelweide

Filip Filipović, Roko Radovan

Heinrich der Schreiber

Ivo Gamulin, Josip Švagelj

Biterolf

Ozren Bilušić, Siniša Hapač

Reinmar von Zweter

Siniša Štork, Toni Nežić

Shepherd

Petra Cik, Hana Ilčić

First Page

Mima Karaula, Ana Zebić

Second Page

Rea Alaburić, Patricija Žudetić

Third Page

Vedrana Zrnić, Marija Posavac

Fourth Page

Tena Lebarić Rašković, Lidija Madjerčić

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Stage Managers

Aleksandra Ćorluka, Zrinka Petrušanec

Prompter

Marija Dražančić

Concertmasters

Mojca Ramušćak, Zvonimir Krpan

Head of the Opera Roles Studio

Darijan Ivezić

Head of the Répétiteurs

Nina Cossetto

Répétiteurs

Helena Borović, Hui Won Lee

Premiere

15.05.2026

World opening night

19.10.1845

Co-production with the Slovene National Theatre Maribor

Richard Wagner’s opera Tannhäuser from 1845 marks a transitional moment in his oeuvre, poised between early Romantic influences and the musical dramas of his mature period. Drawing on legends of medieval minstrels, Wagner penned the libretto himself. Torn between sacred and carnal love, the protagonist Tannhäuser abandons the sensual world of the goddess Venus. Seeking redemption in the human world, he meets and falls in love with the pious Elisabeth. However, his public confession of Venus and his passions at a song contest leads to his banishment, forcing him to travel to Rome to seek the Pope’s forgiveness. The Pope denies him forgiveness, but after the death of Elisabeth, whose pure love for him was a source of hope, Tannhäuser is saved. Elisabeth redeems him with her love. With its use of leitmotifs and through-composed form, Tannhäuser anticipates the artistic direction Wagner would fully embrace in his later works. Philosophically and symbolically, the opera is driven by dualities, musically conveyed through the contrast between the sensual and the spiritual. Religious scenes such as the pilgrims’ chorus and Elisabeth’s prayer form a powerful counterpoint to the chromatics of Venus’s seductive music.

The production is directed by Frank Van Laecke, a Belgian director with a distinguished international career in opera, musical theatre and drama, who has won numerous awards at home and abroad, including a nomination for the prestigious Laurence Olivier Award in the UK. His oeuvre showcases his ability to honour classical forms while revitalising traditional operatic aesthetics. Renowned conductor Srba Dinić, a long-standing collaborator of the Croatian National Theatre in Zagreb, once again leads the orchestra, bringing a wealth of experience from conducting major orchestras and soloists. 

Duration

Act I – 55 minutes

Interval – 20 minutes

Act II – 65 minutes

Interval – 20 minutes

Act III – 50 minutes

Total running time, including intervals, is approximately 3 hours and 40 minutes.

The Premiere Partner – The Embassy of Belgium in Zagreb

The premiere partner is the Embassy of Belgium in Zagreb.

Opera