HNK - HILLARY THE WITCH AND THE OFFENDED DOUBLE-BASS

Winfried Radeke – Peter Lund HILLARY THE WITCH AND THE OFFENDED DOUBLE-BASS 50 min

HILLARY THE WITCH AND THE OFFENDED DOUBLE-BASS

Performances

From 22. March 2026.

Buy tickets
Sun 10:30
22.03.
Buy tickets
Sun 12:00
22.03.
Buy tickets
Sun 10:30
29.03.
Buy tickets
Sun 12:00
29.03.
Buy tickets

View the cast of the performance:

ALL
22.03
22.03
22.03
22.03
29.03
29.03
29.03
29.03

Creatives

Stage Director

Krešimir Dolenčić

Translation

Helena Lucić Šego

Dramaturge

Dina Vukelić

Musical Direction

Josip Šego

Set Designer

Irena Kraljić

Costume Designer

Tea Bašić Erceg

Sound Effects

Mario Mirković

Stage Movement

Mirna Sporiš

Sound Master

Tomislav Prebeg

Ensemble of the performance

HILLARY

Tesa Litvan

ARIA BELLACANTA

Adela Golac Rilović

Mr. PULTEK

Stage Managers

Zrinka Petrušanec

OPERA

Head of Opera Roles Studio

Darijan Ivezić

Head of the Répétiteurs

Nina Cossetto

Répétiteurs

Helena Borović, Hui Won Lee

Premiere

04.03.2018
22.03

Creatives

Stage Director

Krešimir Dolenčić

Translation

Helena Lucić Šego

Dramaturge

Dina Vukelić

Musical Direction

Josip Šego

Set Designer

Irena Kraljić

Costume Designer

Tea Bašić Erceg

Sound Effects

Mario Mirković

Stage Movement

Mirna Sporiš

Sound Master

Tomislav Prebeg

Ensemble of the performance

HILLARY

Tesa Litvan

ARIA BELLACANTA

Adela Golac Rilović

Mr. PULTEK

Stage Managers

Zrinka Petrušanec

OPERA

Head of the Répétiteurs

Nina Cossetto

Head of Opera Roles Studio

Darijan Ivezić

Répétiteurs

Helena Borović, Hui Won Lee

22.03

Creatives

Stage Director

Krešimir Dolenčić

Translation

Helena Lucić Šego

Dramaturge

Dina Vukelić

Musical Direction

Josip Šego

Set Designer

Irena Kraljić

Costume Designer

Tea Bašić Erceg

Sound Effects

Mario Mirković

Stage Movement

Mirna Sporiš

Sound Master

Tomislav Prebeg

Ensemble of the performance

HILLARY

Tesa Litvan

ARIA BELLACANTA

Adela Golac Rilović

Mr. PULTEK

Stage Managers

Zrinka Petrušanec

OPERA

Head of the Répétiteurs

Nina Cossetto

Head of Opera Roles Studio

Darijan Ivezić

Répétiteurs

Helena Borović, Hui Won Lee

29.03

Creatives

Stage Director

Krešimir Dolenčić

Translation

Helena Lucić Šego

Dramaturge

Dina Vukelić

Musical Direction

Josip Šego

Set Designer

Irena Kraljić

Costume Designer

Tea Bašić Erceg

Sound Effects

Mario Mirković

Stage Movement

Mirna Sporiš

Sound Master

Tomislav Prebeg

Ensemble of the performance

HILLARY

Tesa Litvan

ARIA BELLACANTA

Adela Golac Rilović

Mr. PULTEK

Stage Managers

Zrinka Petrušanec

OPERA

Head of Opera Roles Studio

Darijan Ivezić

Head of the Répétiteurs

Nina Cossetto

Répétiteurs

Helena Borović, Hui Won Lee

29.03

Creatives

Stage Director

Krešimir Dolenčić

Translation

Helena Lucić Šego

Dramaturge

Dina Vukelić

Musical Direction

Josip Šego

Set Designer

Irena Kraljić

Costume Designer

Tea Bašić Erceg

Sound Effects

Mario Mirković

Stage Movement

Mirna Sporiš

Sound Master

Tomislav Prebeg

Ensemble of the performance

HILLARY

Tesa Litvan

ARIA BELLACANTA

Adela Golac Rilović

Mr. PULTEK

Stage Managers

Zrinka Petrušanec

OPERA

Head of the Répétiteurs

Nina Cossetto

Head of Opera Roles Studio

Darijan Ivezić

Répétiteurs

Helena Borović, Hui Won Lee

The musical children's play, Hillary the Witch and the Offended Double-Bass, builds upon the success of Hillary the Witch Goes to the Opera, presenting new adventures and tales featuring the beloved opera witch. The trio of artists skillfully blends enjoyable music with dynamic narratives, captivatingly guiding children into opera while sharing simply and joyfully what Hillary has recently learned about the art of music and opera. Krešimir Dolenčić has successfully integrated playful themes and charming music in a manner appealing to children, staging a light-hearted and educational piece that inspires a love of opera among young viewers.

Note: The performance is intended for children aged 3 and up.


A clear, instructive message lies at the heart of this light, unpretentious performance, making it more than welcome as a tool for educating and initiating future audiences of opera performances.— Večernji list
When a performance truly delights us, it is only right to give it special praise and to encourage parents to take their children to future performances. And we loved everything about The Witch Hillary and the Offended Double Bass — the story, the performers, and the costumes.— Roditelji.hr

Linked news

Opera