HNK - THE BARBER OF SEVILLE

Gioachino Rossini THE BARBER OF SEVILLE 170 min

THE BARBER OF SEVILLE

Performances

From 25. June 2026.

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Thu 19:30
25.06.
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Sat 18:00
27.06.
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Mon 19:30
29.06.
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View the cast of the performance:

ALL
25.06
25.06
27.06
27.06
29.06
29.06

Creatives

Conducter

Ivan Hut

Stage Director

Krešimir Dolenčić

Set Designer

Dinka Jeričević

Costume Designer

Ana Savić Gecan

Lighting Designer

Deni Šesnić

Assistant Stage Director

Marta Tutiš

Assistant Costume Designer

Andrea Kuštović

Movement Director

Mateja Pučko-Petković

Libretto Translation

Jasna Žarić

Chorus Master

Luka Vukšić

Ensemble of the performance

FIGARO

Davor Nekjak

ROSINA

Marija Kuhar Šoša, Josipa Bilić, Hana Ilčić

ALMAVIVA

Michele Angelini, Reza Fekri (studijski)

BARTOLO

Ozren Bilušić, Ivan Šimatović

BASILIO

Siniša Štork, Lobel Barun

BERTA

Josipa Gvozdanić, Laura Marincel Haller

GUARD COMMANDER

Robert Palić

FIORELLO

Marin Čargo, Josip Galić

-

Stage Managers

Aleksandra Ćorluka , Zrinka Petrušanec

Prompters

Marija Dražančić

Concertmasters

Mojca Ramušćak, Zvonimir Krpan

Harpsichord

Mario Penzar

Guitar

Antonio Mrčela

Répétiteurs

Helena Borović, Hui Won Lee

Premiere

12.05.2006

World opening night

20.02.1816
25.06

Creatives

Conducter

Ivan Hut

Stage Director

Krešimir Dolenčić

Set Designer

Dinka Jeričević

Costume Designer

Ana Savić Gecan

Lighting Designer

Deni Šesnić

Assistant Stage Director

Marta Tutiš

Assistant Costume Designer

Andrea Kuštović

Movement Director

Mateja Pučko-Petković

Libretto Translation

Jasna Žarić

Chorus Master

Luka Vukšić

Ensemble of the performance

FIGARO

Davor Nekjak

ROSINA

Marija Kuhar Šoša

ALMAVIVA

Michele Angelini

BARTOLO

Ozren Bilušić

BASILIO

Siniša Štork

BERTA

Josipa Gvozdanić

FIORELLO

Marin Čargo

GUARD COMMANDER

Robert Palić

-

Stage Managers

Aleksandra Ćorluka , Zrinka Petrušanec

Prompters

Marija Dražančić

Concertmasters

Mojca Ramušćak, Zvonimir Krpan

Harpsichord

Mario Penzar

Guitar

Antonio Mrčela

Répétiteurs

Helena Borović, Hui Won Lee

27.06

Creatives

Conducter

Ivan Hut

Stage Director

Krešimir Dolenčić

Set Designer

Dinka Jeričević

Costume Designer

Ana Savić Gecan

Lighting Designer

Deni Šesnić

Assistant Stage Director

Marta Tutiš

Assistant Costume Designer

Andrea Kuštović

Movement Director

Mateja Pučko-Petković

Libretto Translation

Jasna Žarić

Chorus Master

Luka Vukšić

Ensemble of the performance

FIGARO

Davor Nekjak

ROSINA

Josipa Bilić

ALMAVIVA

Michele Angelini

BARTOLO

Ivan Šimatović

BASILIO

Lobel Barun

BERTA

Laura Marincel Haller

GUARD COMMANDER

Robert Palić

FIORELLO

Josip Galić

-

Stage Managers

Aleksandra Ćorluka , Zrinka Petrušanec

Prompters

Marija Dražančić

Concertmasters

Mojca Ramušćak, Zvonimir Krpan

Harpsichord

Mario Penzar

Guitar

Antonio Mrčela

Répétiteurs

Helena Borović, Hui Won Lee

29.06

Creatives

Conducter

Ivan Hut

Stage Director

Krešimir Dolenčić

Set Designer

Dinka Jeričević

Costume Designer

Ana Savić Gecan

Lighting Designer

Deni Šesnić

Assistant Stage Director

Marta Tutiš

Assistant Costume Designer

Andrea Kuštović

Movement Director

Mateja Pučko-Petković

Libretto Translation

Jasna Žarić

Chorus Master

Luka Vukšić

Ensemble of the performance

FIGARO

Davor Nekjak

ROSINA

Marija Kuhar Šoša

ALMAVIVA

Michele Angelini

BARTOLO

Ozren Bilušić

BASILIO

Siniša Štork

BERTA

Josipa Gvozdanić

FIORELLO

Marin Čargo

GUARD COMMANDER

Robert Palić

-

Stage Managers

Aleksandra Ćorluka , Zrinka Petrušanec

Prompters

Marija Dražančić

Concertmasters

Mojca Ramušćak, Zvonimir Krpan

Harpsichord

Mario Penzar

Guitar

Antonio Mrčela

Répétiteurs

Helena Borović, Hui Won Lee

In the early 19th century, Gioachino Rossini, alongside librettist Cesare Sterbini, embraced the character of Figaro, undeterred by the previous musical adaptations by both Paisiello and Mozart. He produced a piece that continues to reflect lively comedy and innovation, demonstrating the genius and artistry of its author. This brilliant opera full of musical humour has fulfilled Ludwig van Beethoven's prophecy from 1822, when he praised the composer by stating, “As long as Italian opera is around, this work will continue to be staged! Although the premiere in Rome in 1816 was a disaster due to a series of absurd mishaps, The Barber of Seville began to enjoy swift global acclaim after its second staging in Bologna, eventually becoming one of the most celebrated operas ever. As a composer with a relatively free understanding of tradition, Rossini transformed the conventional Italian opera by adding a new musical dimension, thus initiating a new chapter in the evolution of opera with his emphasis on stage realism. It is said that every opera house should always include The Barber of Seville in its repertoire. For not only does it captivate the loyal opera fans with its magical combination of musical and theatrical virtuosity, but it also breaks down the prejudices about the incomprehensibility of opera through humour and a healthy life philosophy, thereby appealing to a younger audience.

Opera