HNK - THE BARBER OF SEVILLE

Gioachino Rossini THE BARBER OF SEVILLE

THE BARBER OF SEVILLE

Creatives

Conducter

Ivan Hut

Stage Director

Krešimir Dolenčić

Set Designer

Dinka Jeričević

Costume Designer

Ana Savić Gecan

Lighting Designer

Deni Šesnić

Assistant Stage Director

Marta Tutiš

Assistant Costume Designer

Ana Trišler

Movement Director

Mateja Pučko-Petković

Libretto Translation

Jasna Žarić

Chorus Master

Luka Vukšić

Ensemble of the performance

FIGARO

Davor Nekjak

ROSINA

Marija Kuhar Šoša, Josipa Bilić, Hana Ilčić (studijski)

ALMAVIVA

Michele Angelini, Reza Fekri (studijski)

BARTOLO

Ozren Bilušić, Ivan Šimatović

BASILIO

Siniša Štork, Lobel Barun

BERTA

Josipa Gvozdanić

GUARD COMMANDER

Robert Palić

FIORELLO

Marin Čargo, Josip Galić

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Stage Managers

Aleksandra Ćorluka , Zrinka Petrušanec

Prompter

Marija Dražančić

Concertmasters

Mojca Ramušćak, Zvonimir Krpan

Harpsichord

Franjo Bilić, Pavao Mašić

Guitar

Antonio Mrčela

Head of the Opera Roles Studio

Darijan Ivezić

Head of Répétiteurs

Nina Cossetto

Répétiteurs

Helena Borović, Hui Won Lee

Premiere

12.05.2006

World opening night

20.02.1816

In the early 19th century, Gioachino Rossini, alongside librettist Cesare Sterbini, embraced the character of Figaro, undeterred by the previous musical adaptations by both Paisiello and Mozart. He produced a piece that continues to reflect lively comedy and innovation, demonstrating the genius and artistry of its author. This brilliant opera full of musical humour has fulfilled Ludwig van Beethoven's prophecy from 1822, when he praised the composer by stating, “As long as Italian opera is around, this work will continue to be staged! Although the premiere in Rome in 1816 was a disaster due to a series of absurd mishaps, The Barber of Seville began to enjoy swift global acclaim after its second staging in Bologna, eventually becoming one of the most celebrated operas ever. As a composer with a relatively free understanding of tradition, Rossini transformed the conventional Italian opera by adding a new musical dimension, thus initiating a new chapter in the evolution of opera with his emphasis on stage realism. It is said that every opera house should always include The Barber of Seville in its repertoire. For not only does it captivate the loyal opera fans with its magical combination of musical and theatrical virtuosity, but it also breaks down the prejudices about the incomprehensibility of opera through humour and a healthy life philosophy, thereby appealing to a younger audience.

Revival of this production: 25 June 2026

Duration 

Act I — 1 hour 30 minutes 

Intermission — 20 minutes 

Act II — 50 minutes

Total duration: 2 hours 45 minutes

Opera