Wolfgang Amadeus Mozart COSÌ FAN TUTTE

COSÌ FAN TUTTE

Creatives

Conductor

Valentin Egel

Director

Alessio Pizzech

Set designer

Andrea Stanisci

Costume designer

Alessio Rosati

Light designer

Valerio Tiberi

Assistant conductors

Darijan Ivezić, Ivan Šćepanović

Assistant director

Kristina Grubiša

Assistant costume designer

Ana Trišler

Assistant set designer

Andrea Lipej

Translation of libretto

Marina Glavaš

Naples sketches painted by

Gregor Smukovič, ak. slikar

Ensemble of the performance

FIORDILIGI

Darija Auguštan, Josipa Lončar, Josipa Gvozdanić (studijski)

DORABELLA

Emilia Rukavina, Iva Krušić

GUGLIELMO

Davor Nekjak, Robin Červinek, Marin Čargo (studijski)

FERRANDO

Filip Filipović, Bryan Lopez Gonzalez

DESPINA

Marija Kuhar Šoša, Josipa Bilić, Petra Cik (studijski)

DON ALFONSO

Marco Bussi, Pietro Di Bianco

Orchestra and Chorus of the Croatian National Theatre in Zagreb

Stage managers

Aleksandra Ćorluka, Zrinka Petrušanec

Prompter

Marija Dražančić

Concert masters

Mojca Ramušćak, Vlatka Peljhan

Artistic leader of the Opera Studio

Nina Cossetto

Répétiteur

Helena Borović, Darijan Ivezić

Premiere

09.02.2024

This Mozart's opera from 1790 tries to discover whether female fidelity is truly like the bird phoenix – it is spoken of, but no-one has ever encountered it. Perhaps the answer lies in the title itself. Così fan tutte is the last opera Mozart created with librettist Lorenzo da Ponte. It is believed that the emperor Joseph II himself proposed to Mozart to compose an opera using this theme of female fidelity. Mozart and Da Ponte based the work on texts on espousal substitution from the 13th century and some variations on this topic can also be found in Boccacio's stories The Decameron and in some Shakespeare's works, etc. The plot begins in a tavern where two officers publicly declare how their fiancées will be faithful. Don Alfonso is sceptical and proposes a wager that will prove them wrong. The officers pretend to go to war, disguise themselves and thus initiate a series of intrigues that reveal various aspects of love, seducing, flirting, deception, and funny situations which show how much strength every human being possesses to fight off deceit. Although this opera in the past had not been placed among Mozart's best works, in the 20th century it became a must-have on the repertoire of all large world opera houses. The Opera of the Croatian National Theatre in Zagreb will premiere this Mozart's opera of great music beauty with Valentin Egel as conductor and Alessio Pizzech as stage director.

Opera