William Shakespeare Kralj Lear

Kralj Lear

Creatives

Redatelj

Janusz Kica

Prevoditeljica i dramaturginja

Lada Kaštelan

Scenograf

Numen i Ivana Jonke

Kostimografkinja

Eva Dessecker

Skladateljica

Tamara Obrovac

Jezična suradnica

Đurđa Škavić

Oblikovatelj svjetla

Aleksandar Čavlek

Asistent redatelja

Paolo Tišljarić

Asistent scenrografa

Vanja Magić

Suradnica kostimografkinje

Ivana Bakal

Asistentice kostimografkinje

Mia Armanda, Ana Jurjević (volonterke)

Ensemble of the performance

Lear, kralj Britanije

Predrag Miki Manojlović

Goneril, Learova najstarija kći

Regan, Learova srednja kći

Cordelia, Learova najmlađa kći

Grof od Gloucestera

Edgar, Gloucesterov sin

Edmund, Gloucesterov nezakoniti sin

Grof od Kenta

Luda

Vojvoda od Albanyja, Gonerilin muž

Vojvoda od Cornwalla, Reganin muž

Oswald, Gonerilin komornik

Plemić, u Cordelijinoj pratnji

Francuski kralj

Vojvoda od Burgundije

Prvi sluga

Ivan Colarić

Drugi sluga

Ugo Korani

Inspicijent

Suzana Bogdan – Pavek

Šaptačica

Višnja Kiš

Premiere

23.02.2018

One of the most sublime works of world dramatic literature, Shakespeare's King Lear was written between 1603 and 1606. More than the aging king himself, the main character here is the storm: a real, dangerous and resounding storm of natural cycles, depicting the fragility of our lives and the overwhelming force of the universe in which we are but a droplet. With its intricate plot and a multitude of characters, King Lear has been engrossing playgoers since its premiere in 1606, becoming one of the most frequently performed of Shakespeare's plays. With its in-depth analysis of old age, parenting, relationships with those close to us, marital bonds, passions, extramarital affairs, perseverance and humility, this play counts as one of the fundamental works of dramatic literature. The complex internal structure infused with true emotions is a challenge for all theatre artists, while the problems and issues that the text raises are timeless.

A different kind of Lear, yet a very familiar one.— Večernji list
The focus is on the actors and what they say: and their words are indeed incredibly contemporary.— 24express
In his performance as the mad king Lear Miki Manojlović proves himself to be a true acting magician.— Tportal

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