Zagreb Opera Festival
Polish Royal Opera
It should come as no surprise that Aaron Hill, the director of the Queen’s Theatre in London, when wanting to introduce Italian opera to English audiences, chose a fragment from the famous work Jerusalem Delivered as the theme of the first premiere. The brilliant epic poem by Torquato Tasso combines historical themes (the story takes place during the First Crusade) with the Christian ethos and the world of magic. Set in this context, the captivating love story and compelling characters make the text a perfect premise for musical drama. The artistry of the Renaissance work had already been appreciated by Claudio Monteverdi, who devoted multiple madrigals to selected themes. What’s more, operas with libretti based on fragments of Tasso’s poem were composed by Giulio Caccini, Jean Baptiste Lully, and, of course, Georg Friedrich Haendel, among others.
The libretto for Rinaldo – an opera commissioned from a young but already recognized composer who had just arrived on the British Isles – was written by Giacomo Rossi based on a screenplay by Aaron Hill. According to his account, it took Haendel only two weeks to compose the score. The numerous borrowings from his earlier works did not even in the slightest affect the quality of the new opera. The first performances took place in 1711 and received an enthusiastic reception. After twenty years of staging the work revised by the composer himself, the opera disappeared from opera houses for almost 200 years. Rediscovered in the 20th century, it is today considered one of the most exemplary works of Haendel in this genre and continues to inspire artists and music lovers alike.
CREATIVE TEAM
Conductor Michał Piotrowski
Director Jarosław Kilian
Set Design and Costume Design Dorota Kołodyńska
Video Projections Mikołaj Molenda, Marek Zamojski
Choreography Rui Ishihara
Lighting Design Jacqueline Sobiszewski
LightingTechnician Piotr Rudzki
Assistant Director Sławomir Jurczak
II Assistant Director Agnieszka Kozłowska
Assistant Set Designer Karolina Bramowicz
Stage Manager Tatjana Hempel-Gierlach
ENSEMBLE
Goffredo, Leader of the Crusade Jan Jakub Monowid
Almirena, his Daughter and Rinaldo’s Betrothed Olga Pasiecznik
Rinaldo, Christian Knight Anna Radziejewska
Eustazio, Brother to Goffredo Jakub Foltak
Argante, Saracen King of Jerusalem Paweł Michalczuk
Armida, Sorceress and Queen of Damascus Marta Boberska
Mago Christiane, a Hermit Sławomir Jurczak
Woman from the Sea Iwona Lubowicz
Sirens Julita Mirosławska, Justyna Reczeniedi
Herald Sławomir Jurczak
The Furies – Dancers Sławomir Greś, Joanna Lichorowicz-Greś, Karol Urbański
The Period Instruments Ensemble of the Polish Royal Opera Capella Regia Polona
Violin, Conductor Michał Piotrowski
First Violins Michał Piotrowski (Concertmaster), Marta Korbel (Assistant concertmaster), Kamila Guz, Szymon Strzelczyk, Małgorzata Góraj
Second Violins Joanna Gręziak, Ludmiła Piestrak, Alicja Sierpińska, Łukasz Strzelczyk, Kacper Szpot
Violas Natalia Reichert, Mark Wanian
Cellos Tomasz Frycz, Maciej Łukaszuk
Double bass Grzegorz Zimak
Flute sopranino Olivia Petryszak
Oboes / Flutes Agnieszka Mazur-Zborowska (Inspector), Franciszek Bielak
Bassoon Leszek Wachnik
Trumpets Filip Pysz, Jacek Jurkowski
Theorbs Filip Zieliński, Anna Swoboda
Timpani Mateusz Zawadzki
Harpsichord Krzysztof Garstka
Opera Rinaldo performed by the Polish Royal Opera in the Croatian National Theatre in Zagreb is subsidized with the funds of the Minisistry of Culture and National Heritage of the Republic of Poland within the framework of the Inspiring Culture program.
