Giuseppe Verdi Il Trovatore

Il Trovatore

Kreativni tim

Libretto

Salvadore Cammarano prema Antoniu Garcíi Gutiérrezu

Conductor

Marcello Mottadelli /Josip Šego

Director

Arnaud Bernard

Set designer

Virgile Koering

Costume designer

Carla Galleri

Assistent director

Yamala - Das Irmici

Assistent set designer

Andrea Lipej

Assistent designer

Antonija Jakšić Dorotić

Choirmaster

Ansambl predstave

GROF LUNA

Lucian Petrean / Ljubomir Puškarić

LEONORA

Lana Kos / Sonja Šarić

INES

Željka Martić / Josipa Bilić

MANRICO

Renzo Zulian / Francesco Anile

AZUCENA

Dubravka Šeparović Mušović / Sofia Ameli Gojić

FERRANDO

Luciano Batinić / Siniša Štork

RUIZ

Tvrtko Stipić / Ivo Gamulin / Damir Klačar

STARI CIGANIN

Antonio Brajković / Robert Palić

GLASNIK

Mario Bokun / Damir Klačar

STARI LUNA

NAPOLEON

Antun Brzak

ORKESTAR I ZBOR OPERE HRVATSKOGA NARODNOG KAZALIŠTA U ZAGREBU

Stage managers

Aleksandra Ćorluka, Zrinka Petrušanec

Prompter

Marija Dražančić

Concert masters

Vlatka Peljhan, Mojca Ramušćak

Opera - studio artistic leader

Darijan Ivezić

Accompanist

Vjekoslav Babić, Helena Borović, Nina Cossetto i Silvana Čuljak

Premijera

22.02.2019

Giuseppe Verdi’s opera Il Trovatore was performed for the first time on 19 January 1853 in Rome. It was composed for the libretto of Salvatore Cammarano, and it consists of four acts.

Romantic love, deadly jealousy and an obsessive desire for revenge are the driving dramatic elements in this opera by Verdi. The plot is based on the rivalry between Count Luna and the rebel Manrico who are not just political enemies but are also competing for the affections of the noblewoman Leonora. 
The music of this opera is characterized by an energy that is beautiful and wild at the same time, led by spectacular vocal parts that carry strong emotions, while the extremely complex plot abounds in fiery passions. With Il Trovatore, Giuseppe Verdi reached a peak of musical mastery and force of expression in the so-called middle period of his career. The opera is fascinating because of its extraordinarily expressive music, psychologically convincing characters and the varied and exotic locations included in the story.

Redatelj je do najsitnijeg detalja razigrao cijeli ansambl… predstava je rasla u dramatici i ljepoti, orkestar je bio sabran i precizan.— Večernji list
Predstava je vrlo slikovita.. vješto je mobilna u skupnim scenama i majstorski detaljizirana među likovima.— Jutarnji list

Opera