Miroslav Krleža LEDA 160 min

LEDA

Performances

From 27. June 2024.

Buy tickets
Thu 19:30
27.06.

View the cast of the performance:

ALL
27.06
27.06

Creatives

Creatives

Director

Franka Perković

Dramaturge

Dino Pešut

Scenographer

Paola Lugarić

Costume designer

Doris Kristić

Stage movement

Petra Hrašćanec

Shaper of light

Elvis Butković

Music

Roko Crnić, Hrvoje Klemenčić

Assistant director

Toma Serdarević

Scenography assistant

Aleksandra Vukićević

Costume designer's assistant

Ana Trišler

Ensemble of the performance

Ensamble of the performance

KLARA

Jadranka Đokić

MELITA

Iva Jerković

OLIVER URBAN

Jerko Marčić

AUREL

Igor Kovač

KLANFAR

Dušan Bućan

LEDA

Tesa Litvan

DAME

Gloria Dubelj, Iva Šimić Šakoranja

GOSPODIN

Ivan Colarić

FANNY

Iva Šimić Šakoranja

Stage managers

Stage manager

Inspicijent

Antonio Mrzlić

Premiere

26.05.2023
27.06

Creatives

Creatives

Director

Franka Perković

Dramaturge

Dino Pešut

Scenographer

Paola Lugarić

Costume designer

Doris Kristić

Stage movement

Petra Hrašćanec

Shaper of light

Elvis Butković

Music

Roko Crnić, Hrvoje Klemenčić

Assistant director

Toma Serdarević

Scenography assistant

Aleksandra Vukićević

Costume designer's assistant

Ana Trišler

Ensemble of the performance

Ensamble of the performance

KLARA

Jadranka Đokić

MELITA

Iva Jerković

OLIVER URBAN

Jerko Marčić

AUREL

Igor Kovač

KLANFAR

Dušan Bućan

LEDA

Tesa Litvan

DAME

Gloria Dubelj, Iva Šimić Šakoranja

GOSPODIN

Ivan Colarić

FANNY

Iva Šimić Šakoranja

Stage managers

Stage manager

Inspicijent

Antonio Mrzlić

Miroslav Krleža

LEDA

The world fraud Oliver Urban, an art critic, his friend Aurel, a successful painter, his wife Klara, a former opera singer Melita and her husband, snob Klanfar in a carnival night expose themselves to the most intimate details through their friendly, marital, extramarital and love relations. Love couples separate, marriages falter, former lovers meet again and so on indefinitely. Brilliantly written roles, excellent dialogues, intriguing situations and interwoven relationships that vary from a bourgeois drama to vaudeville are only a few elements of this Krleža's only comedy. However, Krleža, as a great writer, used this fluid structure in order to emphasise the superficiality, false values and questionable ideals of well-to-do citizens who are considered important representatives of the society. As the final part of the Glembay cycle in which the Glembay family is followed from 1918 to the 1930s, Leda is a kind of a grotesque mirror of the ascent and total breakdown of a family. Before our own eyes, all turmoil, intrigues, along crimes that depict that family, turn into an insane sequence of love, business and marital tangles that end in the street, in the company of ladies of the night. After more than two decades Leda had its premiere on the stage of the CNT in Zagreb in stage direction of Franka Perković.