Tennessee Williams Cat on a hot tin roof

Cat on a hot tin roof

Creatives

Translation

Ivo Juriša

Director

Paolo Magelli

Dramaturginja

Željka Udovičić

Adaptacija teksta

Željka Udovičić

Scenograf

Lorenzo Banci

Kostimograf

Leo Kulaš

Skladatelji

Damir Martinović Mrle, Ivanka Mazurkijević

Oblikovatelj svjetla

Paolo Magelli, Aleksandar Čavlek

Asistentica redatelja

Tamara Damjanović

Asistentica kostimografa

Ana Mikulić

Ensemble of the performance

Big Daddy Politt

Mama Polit

Brick, younger son

Margaret (Maggie)

Gooper, older son

Mae, his wife

Reverend Tooker

Dr. Baugh

Waiters / Singers

Lucija Jelušić, Stefano Surian, Josip Roša

Children

Lucija Milojčić, Paulina Kuss, Ani Gnand, Ana Kuss (članice Pjevačkog studija Zvjezdice), Eugen Puškarić, Saša Ferderbar Bućan, Adam Horvat

Inspicijentica / šaptačica

Divna Borčić

Premiere

13.10.2018

Tennessee Williams
CAT ON A HOT TIN ROOF

Directed by Paolo Magelli

Cat on a Hot Tin Roof is a classical text by the great American author Tennessee Williams. The play had its world premiere in New York in 1955, winning Williams the Pulitzer Prize for Drama. By dissecting his characters in great detail, Williams paints a deeply emotional and devastating picture of a family that gets caught in its own web of lies and deceit. Everybody carries a portion of guilt here, but the characters are finally redeemed by an honest quest for the truth they all need to face. Both a story about society and a melodrama, Cat on a Hot Tin Roof is a breath of fresh air in the era of new conservatism, and with its cry for free love, a true challenge for the famous director Paolo Magelli.

Zrinka Cvitešić and Filip Vidović have given excellent lead performances. They are precise and impressive with each of their expressed emotions. — Večernji list

The true value of the play does not strictly lie in its activism. It arises from the careful submerging of all the actors into the depths of their characters, in them descending the slippery rocks of the characters' intolerance and enduring the analytical gaze directed at their countless cruelties. — Novi list

Magelli does not offer a censored family melodrama with a happy ending, [...] but gives a devastating critique of the family and social values. [...] Well done, Magelli and the CNT ensemble! — Tportal

Zrinka Cvitešić i Filip Vidović odlični su u glavnim ulogama, točni i dojmljivi u svakoj emociji.— Večernji list
Prava vrijednost ovog uprizorenja nije u užem smislu aktivistička. Ona nastaje iz pažljivog ulaska svih glumaca u dubinu svoji likova: u spuštanju po skliskim stijenama netrpeljivosti likova i izdržavanju analitičkog pogleda uperenog u njihove bezbrojne okrutnosti— Novi list
Naime, Magelli nije ponudio cenzuriranu obiteljsku melodramu sa sretnim krajem, (...), nego nemilosrdnu kritiku obiteljskih i društvenih vrijednosti. (...) Bravo za Magellija i ansambl HNK!— Tportal

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