Bruno Bjelinski – Giorgio Madia Peter Pan

Peter Pan

Creatives

Libreto

Giorgio Madia prema libretu Brune Bjelinskoga temeljenom na istoimenoj priči Jamesa Matthewa Barriea

Koreograf, redatelj, oblikovatelj svjetla

Giorgio Madia

Dirigent

Alan Bjelinski

Scenograf

Kinsun Chan

Kostimografkinja

Adriana Mortelliti

Dramaturginja

Annegret Gertz

Redatelj zračnih scena

Ran Arthur Braun

Asistentica koreografa

Adriana Mortelliti

Baletni majstor

Mihaela Devald

Asistent scenografa

Ante Serdar

Asistentica kostimografkinje

Tihana Cizelj

Tehnički supervizor zračnih scena

Jacob Sebastian Malm

Autori cvjetnog uzorka

Marina Marić, Damir Medvešek

Ensemble of the performance

PETAR PAN

ZVONČICA

WENDY

MICHAEL

JOHN

Adam Harris / Oleksandr Koriakovskyi

KAPETAN KUKA

TIGRICA LILY, indijanska princeza

INDIJANSKI PRINC

GOSPOĐA DARLING, majka

VILA

Izgubljeni dječaci

Andrea Schifano, Takuya Sumitomo, Simon Yoshida, Balint Rauscher, Drew Jackson, Matheo Bourreau

Vile

Saya Ikegami, Sabrina Feichter, Mutsumi Matsuhisa, Miruna Miciu, Rebecca Smith,Valentina Štrok

Gusari

Tatjana Andročec, Andrej Barbanov, Filip Filipović, Alen Gotal, Ioan Dumitru Moga, Andrija Palada, Domagoj Vrbljanin

Indijanke

Daria Brdovnik Bukvić, Gabriela Mede, Ozana Mirković, Lucija Radić, Emilija Sorić, Atina Tanović, Tihana Trupeljak Bujanić, Iva Višak, Danijela Zobunđija

Indijanci

Tomaž Golub, Aleksandr Koriakovskyi, Ovidiu Muscalu, Dan Rus

Statisti

Frano Brkičić, Tomislav Hrastovec

Koncertne majstorice

Mojca Ramušćak, Vlatka Peljhan

Glazbena voditeljica

Ljudmila Šumarova

Korepetitor

Teo Visintin

Inspicijenti

Snježana Marasović, Adnan Osmanović

Premiere

30.06.2016

Exactly fifty years after the first premiere in Zagreb, Croatian composer Bruno Bjelinski’s Peter Pan returns to the stage that it was created for, in order to celebrate its big birthday. The story about a boy who doesn’t want to grow up, one of the most popular children’s stories of all time, was first told much earlier, and has been retold to generations of children ever since 1904, when the famous writer James M. Barrie introduced it as a theatre play in London. It has since been adapted numerous times for stages and silver screens, shown as an animated film, and daydreamed about by the beds of its first young readers. “I’m youth, I’m joy, (…) I’m a little bird that has broken out of the egg,“ says Peter Pan, and once again, over a hundred years later, he takes Wendy, John, and Michael on an exciting flight to Neverland, where he fights courageously with Captain Hook and the frightening crocodile, where they meet fairies, pirates and Indians, Tiger Lily and her Indian prince… The vain little fairy, Tinker Bell, is always by their side, and the crowd of Lost Boys, Peter Pan’s clique, welcomes them warmly, in their own way. The new choreographic vision of Peter Pan was brought to the Zagreb stage by Giorgio Madia through his specific choreographic style that draws attention of the biggest European ballet theatres, where he worked on compelling theatrical productions for a younger audience, such as Alice’s Wonderland, and OZ – The Wonderful Wizard.

Kakva predstava! Kad uzmognete, a svakako iduće sezone, pođite u HNK u Zagrebu i pogledajte balet Petar Pan.— Jutarnji list
Ukratko, predstava kojoj ćemo se veseliti najesen, i užitak koji sigurno neće biti privilegij samo dječje publike.— Plesna scena.hr

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