HNK - NABUCCO

Giuseppe Verdi NABUCCO 160 min

NABUCCO

Performances

From 13. January 2026.

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Tue 19:30
13.01.
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Thu 19:30
15.01.
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Fri 19:30
16.01.
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Sat 18:00
17.01.

View the cast of the performance:

ALL
13.01
13.01
15.01
15.01
16.01
16.01
17.01
17.01

Creatives

Conductor

Gianluca Marciano

Stage Director

Giancarlo del Monaco

Set and Costume Designer

William Orlandi

Lighting Designer

Wolfgang von Zoubek

Assistant Set and Costume Designer

Francesco Bonati

Assistant Conductor

Andreas Gies

Assistant Stage Director

Martina Zdilar Sertić

Assistant Costume Designer

Ana Trišler

Stage managers

Aleksandra Ćorluka, Zrinka Petrušanec

Prompter

Marija Dražančić

Artistic leader of the Opera Studio

Nina Cossetto

Répétiteurs

Helena Borović, Darijan Ivezić

Ensemble of the performance

Nabucco

Ljubomir Puškarić, Siniša Hapač

Abigaille

Kristina Kolar, Gabrielle Mouhlen

Zaccaria

Luciano Batinić, Ivica Čikeš

Fenena

Emilia Rukavina, Margareta Matišić

Ismaele

Filip Filipović, Roko Radovan

Anna

Josipa Lončar, Adela Golac Rilović

Abdallo

Ivo Gamulin, Josip Švagelj

High priest of Baal

Ozren Bilušić, Siniša Štork

Orchestra and Chorus of the Croatian National Theatre in Zagreb

Chorus Master

Luka Vukšić

Concert master / mistress

Mojca Ramušćak, Vlatka Peljhan
13.01

Creatives

Conductor

Gianluca Marciano

Stage Director

Giancarlo del Monaco

Set and Costume Designer

William Orlandi

Lighting Designer

Wolfgang von Zoubek

Assistant Set and Costume Designer

Francesco Bonati

Assistant Conductor

Andreas Gies

Assistant Stage Director

Martina Zdilar Sertić

Assistant Costume Designer

Ana Trišler

Stage managers

Aleksandra Ćorluka, Zrinka Petrušanec

Prompter

Marija Dražančić

Artistic leader of the Opera Studio

Nina Cossetto

Répétiteurs

Helena Borović, Darijan Ivezić

Ensemble of the performance

Nabucco

Ljubomir Puškarić

Abigaille

Kristina Kolar

Zaccaria

Luciano Batinić

Fenena

Emilia Rukavina

Ismaele

Filip Filipović

Anna

Josipa Lončar

Abdallo

Ivo Gamulin

High priest of Baal

Ozren Bilušić

Orchestra and Chorus of the Croatian National Theatre in Zagreb

Chorus Master

Luka Vukšić

Concert master / mistress

Mojca Ramušćak, Zvonimir Krpan

15.01

Creatives

Conductor

Gianluca Marciano

Stage Director

Giancarlo del Monaco

Set and Costume Designer

William Orlandi

Lighting Designer

Wolfgang von Zoubek

Assistant Set and Costume Designer

Francesco Bonati

Assistant Conductor

Andreas Gies

Assistant Stage Director

Martina Zdilar Sertić

Assistant Costume Designer

Ana Trišler

Stage managers

Aleksandra Ćorluka, Zrinka Petrušanec

Prompter

Marija Dražančić

Artistic leader of the Opera Studio

Nina Cossetto

Répétiteurs

Helena Borović, Darijan Ivezić

Ensemble of the performance

Nabucco

Siniša Hapač

Abigaille

Gabrielle Mouhlen

Zaccaria

Ivica Čikeš

Fenena

Margareta Matišić

Ismaele

Roko Radovan

Anna

Adela Golac Rilović

Abdallo

Josip Švagelj

High priest of Baal

Siniša Štork

Orchestra and Chorus of the Croatian National Theatre in Zagreb

Chorus Master

Luka Vukšić

Concert master / mistress

Mojca Ramušćak, Zvonimir Krpan

16.01

Creatives

Conductor

Gianluca Marciano

Stage Director

Giancarlo del Monaco

Set and Costume Designer

William Orlandi

Lighting Designer

Wolfgang von Zoubek

Assistant Set and Costume Designer

Francesco Bonati

Assistant Conductor

Andreas Gies

Assistant Stage Director

Martina Zdilar Sertić

Assistant Costume Designer

Ana Trišler

Stage managers

Aleksandra Ćorluka, Zrinka Petrušanec

Prompter

Marija Dražančić

Artistic leader of the Opera Studio

Nina Cossetto

Répétiteurs

Helena Borović, Darijan Ivezić

Ensemble of the performance

Nabucco

Ljubomir Puškarić

Abigaille

Kristina Kolar

Zaccaria

Luciano Batinić

Fenena

Emilia Rukavina

Ismaele

Filip Filipović

Anna

Josipa Lončar

Abdallo

Ivo Gamulin

High priest of Baal

Ozren Bilušić

Orchestra and Chorus of the Croatian National Theatre in Zagreb

Chorus Master

Luka Vukšić

Concert master / mistress

Mojca Ramušćak, Zvonimir Krpan

17.01

Creatives

Conductor

Gianluca Marciano

Stage Director

Giancarlo del Monaco

Set and Costume Designer

William Orlandi

Lighting Designer

Wolfgang von Zoubek

Assistant Set and Costume Designer

Francesco Bonati

Assistant Conductor

Andreas Gies

Assistant Stage Director

Martina Zdilar Sertić

Assistant Costume Designer

Ana Trišler

Stage managers

Aleksandra Ćorluka, Zrinka Petrušanec

Prompter

Marija Dražančić

Artistic leader of the Opera Studio

Nina Cossetto

Répétiteurs

Helena Borović, Darijan Ivezić

Ensemble of the performance

Nabucco

Siniša Hapač

Abigaille

Gabrielle Mouhlen

Zaccaria

Luciano Batinić, Ivica Čikeš

Fenena

Margareta Matišić

Ismaele

Roko Radovan

Anna

Adela Golac Rilović

Abdallo

Josip Švagelj

High priest of Baal

Siniša Štork

Orchestra and Chorus of the Croatian National Theatre in Zagreb

Chorus Master

Luka Vukšić

Concert master / mistress

Mojca Ramušćak, Zvonimir Krpan

Nabucco, Giuseppe Verdi's four-act lyrical-drama opera, was written in 1841 as his third opera. It is based on an Italian libretto by Temistocle Solera, adapted from the drama Nabucodonosor by Auguste Anicet-Bourgeois and Francis Cornu, written in 1836, as well as the eponymous ballet scenario by Antonio Cortesi from 1838. Initially titled Nabucodonosor, the opera premiered at La Scala in Milan, and its immense success established Verdi as a leading figure in the world of opera composition.

This opera explores the tumultuous past of the Jewish people, who suffered attacks from Nebuchadnezzar II, the king of Babylon and conqueror. They were subsequently forced into exile from their homeland following his victory. Historical events were only used as a romantic and political narrative backdrop. As a great patriot, Verdi was particularly inspired by the scene where the captive Jews, standing on the banks of the Euphrates River, long for their distant homeland. He wrote the renowned choral aria Va pensiero, sull'ali dorate... (Fly, thoughts, on golden wings...). One night, it became the work's central dramatic and musical cornerstone. Following the premiere, this refrain soon emerged on the Italian streets, where people sang it as a revolutionary anthem. To this day, it is often performed as an encore in many opera houses across the globe. Almost four decades after the premiere of Nabucco at the Zagreb Opera, this piece was staged by director Giancarlo del Monaco.

Opera