Ohad Naharin DECADANCE 80 min

DECADANCE

Creatives

Creatives

Choreographer

Ohad Naharin

Light designer

Avi Yona Bueno (Bambi)

Costume designer

Rakefet Levi

Sound design and editing

Maxim Waratt, Ohad Fishof, Stefan Ferry

Stage assistants

Ian Robinson, Erez Zohar, Matan David

Ballet master

Iva Višak

Transfer of costume design

Mia Rejc Prajninger

Music director

Ljudmila Šumarova

Musical accompanist

Teo Visintin

Stage manager

Snježana Marasović

Ensemble of the performance

Djevojke

Saya Ikegami, Natalija Kosovac, Mutsumi Matsuhisa, Ozana Mirković Blokar, Lada Rora, Rieka Suzuki, Valentina Štrok, Atina Tanović, Helena Troha

Muškarci

Mario Diligente, Taiguara Goulart, Adam Harris, Drew Benjamin Jackson, Balint Rauscher Csaba, Takuya Sumitomo, Arnau Velazquez Rodrigez, Vid Vugrinec, Yuho Yoshioka

Glazba

Maxim Waratt

"Issa Nore"

Goldfrapp

"Train"

Ohad Fishof

"Pictures"

David Darling

"Stones Start Spinning"

John Zorn

"Verlaine Part 1. Un midi moins dix"

Al Majad

"Al Ghariba" (Habib Alla Jamal & Khader Shama: aranžman i izvedba)

Guem

"Riacho"

Dick Dale and The Del- Tones

"Hava Nagila"

Maxim Waratt

"Illusions of Beauty"

The Tractor's Revenge ( A. Belleli, I. Green, O. Leibovitch, O. Naharin)

"Echad Mi Yodea"

Chari Chari (Kaoru Inoue)

"Favorite Final Geisha Show"

Kid606

"Flutter"

AGF

"Ambient Trust"

AGF

"Private Birds"

Lucky Ali & Ramya

"Na Tum Jano Na Hum"

Seefeel

"Meol"

Chronomad

"Do"

The Beach Boys

"You' re Welcome"

Ohad Naharin

DECADANCE

ENSEMBLE OF THE PERFORMANCE

GIRLS
Saya Ikegami, Natalija Kosovac, Mutsumi Matsuhisa, Ozana Mirković Blokar, Lada Rora, Rieka Suzuki, Valentina Štrok, Atina Tanović, Helena Troha

BOYS
Mario Diligente, Taiguara Goulart, Adam Harris, Drew Jackson, Tomislav Petranović, Balint Rauscher Csaba, Takuya Sumitomo, Vid Vugrinec, Yuho Yoshioka

Decadance is a dance performance made up of excerpts of Ohad Naharinꞌs already staged choreographic works, originally created with the members of the Batsheva dance company that, like a dance game, freely adds or removes the existing parts, considered from other, different angles. The work uses music composed by various contemporary authors and is abundant in Naharinꞌs famous creations with which he investigates the limits and the explosive power of the gesture, introducing to the dancers a virtuoso and sensual energy, shaped by the flood of emotions. The innovative and specific Naharinꞌs movement gaga is used in the performance, which the Zagreb ballet ensemble evidently enjoyed as well as the Zagreb audience, just like the audiences in great world ballet centres in which this same performance had its premieres.