Thomas Mann - Gustav Mahler - Valentina Turcu Death in Venice

Death in Venice

Creatives

Koreografija, režija, dramaturgija, glazbeni koncept

Valentina Turcu

Glazba

Gustav Mahler

Scenografija

Marko Japelj

Kostimografija

Alan Hranitelj

Oblikovanje svjetla

Aleksandar Čavlek

Video projekcije

Matjaž Mrak

Asistent koreografkinje

Anton Bogov

Asistentica kostimografa

Petra Pavičić

Baletne majstorice

Mihaela Devald, Milka Hribar Bartolović

Glazbena voditeljica

Ljudmila Šumarova

Inspicijentica

Snježana Marasović

Ensemble of the performance

Gustav von Aschenbach

Anđeo smrti

Tadzio

Aschenbachova supruga

Ljubavnici

Rieka Suzuki, Kornel Palinko / Iva Vitić Gameiro, Guilherme Gameiro Alves

Bella

Tadziova majka

Tadziove sestre

Asuka Maruo, Mutsumi Matsuhisa, Saya Ikegami / Valentina Štrok, Dora Kovač

Upravitelj hotela

Gosti hotela

World opening night

05.06.2018

Thomas Mann – Gustav Mahler – Valentina Turcu
DEATH IN VENICE
Dramatic ballet in eleven scenes

A co-production with the Ballet of the Maribor Slovene National Theatre

Adaptation, choreography, direction and music selection by Valentina Turcu

Music by Gustav Mahler

Solitude gives birth to the original in us, to beauty unfamiliar and perilous - to poetry. But also, it gives birth to the opposite: to the perverse, the illicit, the absurd, wrote one of the greatest German authors and Nobel Prize laureate Thomas Mann in his novella Death in Venice. This work, which gained huge popularity on account of Visconti’s legendary film of the same name from 1971, undoubtedly reflects Mann’s rather pessimistic self-prophecy, his pondering introspection and, most importantly, his perpetual yearning for the ideal of beauty. All this is embodied in the protagonist Gustav, who is kind of a literary amalgam of several brilliant personalities – Tchaikovsky, who allegedly deliberately drank a glass of unboiled tap water, contracting cholera; Mahler and his faultless symphonic perfectionism; and Thomas Mann himself.

Thomas Mann termed his novella Death in Venice (1911) as Tragodie einer Entwurdigung, a “tragedy of degradation”, a degradation shared by numerous aesthetes and modernist artist during fin de sičcle, who became victims of false morals and social condemnation.

A dramatic ballet featuring Gustav Mahler’s refined music that so clearly expresses human states and emotions, Death in Venice is a completely new stage adaptation of Mann’s literary masterpiece. Aiming to create “a perpetual movement of the soul”, Valentina Turcu subtly enters the complex universe of an emotional journey, trembling with the invisible force of Eros and its radical contrast contained by the literary work.

Each detail of this work is thought-through and clear. The drama is powerful, the dance is superb, and the music selection fits perfectly with each segment of the story, testifying to the great talent and accomplishment of Valentina Turcu — Jutarnji list

The ballet Death in Venice is another dance triumph of CNT in Zagreb, a valuable, exceptional and truly beautiful work of art, that also addresses some painful current issues. — Tportal

With this performance featuring an excellent homegrown cast, Valentina Turcu has made an outstanding contribution to what we can now freely call the Golden Age of the Ballet of the CNT in Zagreb. - Večernji list

U ovom je projektu svaki detalj promišljen i jasan, drama prezentna, plesnost vrhunska, a odabir glazbe prijanjajući uz svaki segment priče, legitimacija i svjedočanstvo talenta i naobrazbe Valentine Turcu.— Jutarnji list
Baletom 'Smrt u Veneciji' zagrebački HNK dobio je još jedan plesni hit, vrijedno, kvalitetno i uistinu lijepo umjetničko djelo, koje otvara i neka bolna i aktualna pitanja.— Tportal
Valentina Turcu je s ovom predstavom, sa sjajnim ansamblom stvorenim upravo na našoj pozornici ispisala još jednu sjajnu stranicu, sada već slobodno možemo reći, zlatnog razdoblja Baleta zagrebačkoga HNK.— Večernji list

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