Georges Bizet — Roland Petit L’ARLÉSIENNE / CARMEN 110 min

L’ARLÉSIENNE / CARMEN

CREATIVES - L’Arlésienne

Music (Arrangement Tommy Desserre)

Georges Bizet

Set Design

René Allio

Costume Design

Christine Laurent

Rehearsal Director

Luigi Bonino

Revival of Sets, Lighting and Technical Supervision

Jean-Michel Désiré

Revival of Costumes

Aurélie Lyon

Assistant Rehearsal Director

Gillian Whittingham

Assistant Costume Designer

Ana Trišler

Ballet Masters

Pavla Pećušak, Mihaela Devald Roksandić

CAST - L’Arlésienne

Vivette

Natalia Kosovac / Asuka Maruo

Frédéri

Takuya Sumitomo / Yuho Yoshioka

Ensemble

Rizumu Tanaka, Candela Nieto Cortes, Diana Montes Mota, Saya Ikegami, Hinako Shinzaki, Mutsumi Matsuhisa, Helena Troha, Valentina Štrok

Kornel Palinko, Seth Bromley Clark, Arnau Velázquez Rodríguez, Mattia Baccon, Takahiro Tamagawa, Giovanni Messeri, Andrea Podda, Mario Charlo Sobrino /

Dora Kovač, Elizabeth Anderson, Agnese Stancanelli, Estrella Cebrino Torres, Dora Blaić, Ozana Mirković Blokar, Paulina Žanetić, Makeely Georgia Foster, Anna Letizia Joly, Marta Sironić, Leda Šeparović

Yuho Yoshioka, Pierre Gaston, Ossian Montematrillo, Samuele Berbenni, Thomas Boddington, Justin Popa, Vid Vugrinec

CREATIVES - Carmen

Music

Georges Bizet

Set and Costume Design

Antoni Clavé

Rehearsal Director

Luigi Bonino

Revival of Sets and Lighting

Jean-Michel Désiré

Revival of Costumes

Aurélie Lyon

Assistant Rehearsal Director

Gillian Whittingham

Assistant Costume Designer

Ana Trišler

Ballet Masters

Pavla Pećušak, Mihaela Devald Roksandić

CAST - Carmen

Carmen

Iva Vitić Gameiro / Rieka Suzuki

Don José

Guilherme Gameiro Alves / Pavel Savin

Escamillo

Taiguara Goulart / Adam Harris / Samuele Berbenni

Tri bandita

Candela Nieto Cortes / Diana Montes Mota, Elizabeth Anderson, Mutsumi Matsuhisa, Anamarija Marković

Mattia Baccon / Justin Popa, Takahiro Tamagawa

Mario Diligente / Mario Charlo Sobrino

The Girl with the Cigarette

Lucija Radić Palinko / Cristiana Rotolo / Saya Ikegami

Ensemble

Saya Ikegami, Rizumu Tanaka, Hinako Shinzaki, Estrella Cebrino Torres, Atina Tanović, Lada Rora, Makeely Georgia Foster, Agnese Stancanelli, Helena Troha, Dora Kovač

Mario Charlo Sobrino, Seth Bromley Clark, Takahiro Tamagawa, Pierre Gaston, Justin Popa, Vid Vugrinec, Thomas Boddington, Giovanni Messeri /

Dora Blaić, Candela Nieto Cortes, Helena Troha, Anna Letizia Joly, Diana Montes Mota, Leda Šeparović, Cristiana Rotolo, Dora Kovač, Valentina Štrok, Marta Sironić, Ozana Mirković Blokar, Paulina Žanetić

Andrea Podda, Mattia Baccon, Kornel Palinko, Samuele Berbenni, Taiguara Goulart, Adam Harris, Arnau Velázquez Rodríguez, Ossian Montematrillo

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Stage Manager

Ana Vnučec

Musical Leader

Ljudmila Šumarova

Accompanist

Teo Visintin

Carmen and L’Arlésienne are two ballets that the great French choreographer Roland Petit created to the music of Georges Bizet.

L’Arlésienne is a one-act ballet that Roland Petit created in 1974 after the novel and drama of Alphonse Daudet for the Ballet National de Marseille to the music score of Georges Bizet, Suite no. 1 and 2, that was originally created as stage music for Daudet’s drama that premiered in Paris at the Théâtre du Vaudeville in 1872. Frédéri, a young man inProvance at the south of France became obsessed by a woman he saw in the town of Arles and because of this his relationship with his fiancée is in crisis. His infatuation with the stranger haunts him and drives him mad.

Petit and his company Les Ballets de Paris premiered Carmen, a ballet based on Bizet’s famous opera from 1875 at the Prince’s Theatre in London in 1949 and after the »scandalous and brilliant« world opening night, it was soon on the repertoire of ballet companies around the word with more than 5,000 performances. This ballet in five scenes represents a remarkable combination of classical ballet, Spanish dances, pantomime, and newly created dramatic dance movements. The libretto was written after the novel of Prospero Mérimée from 1845 that served as a literary model for Bizet’s opera and the music from Bizet’s opera for this ballet was arranged and reorchestrated by Tommy Desserre. The costumes and sets were created by Antoni Clavé. The plot is situated in Spain, in the town of Seville and the surrounding mountains, during the bullfights around 1820. We follow the life and love troubles of the beautiful girl Carmen, through a dramatic and romantic story with hints of gritty realism about the love triangle of gypsy Carmen, soldier Don Jose and toreador Escamillo. At the world opening night Roland Petit himself danced the role of Don Joséa, while the role of Carmen was danced with plenty of energy and charisma by his future wife Zizi Jeanmaire. The visitors of the CNT in Zagreb watched ballet Carmen in the version of Rodion Schedrin (1975 and 1979 and in 1999 in the choreography of Miljenko Vikić). This time they will be able to see this ballet in its integral cult choreography by Roland Petit (a part of this ballet was performed last year at the ballet gala concert).

L’Arlésienne is a one-act ballet that Roland Petit created in 1974 after the novel and drama of Alphonse Daudet for the Ballet National de Marseille to the music score of Georges Bizet, Suite no. 1 and 2, that was originally created as stage music for Daudet’s drama that premiered in Paris at the Théâtre du Vaudeville in 1872. Frédéri, a young man inProvance at the south of France became obsessed by a woman he saw in the town of Arles and because of this his relationship with his fiancée is in crisis. His infatuation with the stranger haunts him and drives him mad.

This is the first time that a piece by Roland Petit, one of the choreographers that have marked the 20th century is staged in Zagreb.

Ballet