The following re-runs of Correcting Rhythms prepared as a coproduction of theatre collective BADco., CNT in Zagreb and the Dubrovnik Summer Festival are scheduled for January 13 and February 3, 2018. The performance premiered on November 18, 2017.
Correcting Rhythm and Nothing Inert in the World were supported by: Zagreb City Office for Education, Culture and Sport, Ministry of Culture of the Republic of Croatia and the Austrian Cultural Forum.
The work of BADco. is supported by the Foundation Kultura nova.
Do only those who stop feeling the rhythm of a crime get hurt? Why did his hands shake as he opened the newspaper? Was the acceleration of the rhythm the only way out?
The performance is taking its lead from Pavao Pavličić’s The Good Spirit of Zagreb but 40 years later. The author of the text is Goran Ferčec and the stage director is Goran Sergej Pristaš. The choreographer is Nikolina Pristaš, dramaturges are Ivana Ivković, Tomislav Medak and Diana Meheik, the author of images and sets is Marko Tadić, the costume designer is Silvio Vujičić, the authors of music and sounds are Radu Malfatti, Alen Sinkauz and Nenad Sinkauz, and the trombone player is Ivan Bošnjak. The producer is Danijel Popović.
The cast is Livio Badurina, Mislav Čavajda, Dušan Gojić, Ana Kreitmeyer and Nikolina Pristaš.
It will be staged at the CNT sound studio, the venue located on the balcony level looking onto Marshal Tito Square. During the performance the venue turns into an observatory for rhythmanalysis, as proposed by the French philosopher Henri Lefebvre in his work Rhythmanalysis: Space, Time and Everyday Life, where he describes a view through a window as a simultaneous position in the interior and the exterior; a place from which it is possible to reflect biological, psychological and social rhythms, with the body as the point of contact.